Volicer's
art is a paper landscape “It shows art doesn’t have to be experienced all in the head. Even if you don’t like it, you’re at least going to feel it.” During her junior year at the Massachusetts College of Art, “things started to get big,” she said. “By my final year in school, I wanted everybody to get inside [my work.]” Viewers immerse themselves in
Volicer’s creations, said Steven
Pearson, the gallery’s co-curator. “I really enjoy that you
can walk through or on top of her installations because it makes the
viewers feel they are a part of the art. The experience is much more
tactile.” “With my advanced students, I try to get them to look at their environments and find new ways to approach and interpret objects within the environments,” he explained. “Nadya’s work is a perfect example for them.” After working in wood while exhibiting up and down the East Coast and in England, Volicer recently turned to used paper, she said. Scissors, Exacto knives and glue — the simple tools needed for paper landscapes — allow Volicer to work anywhere. For the past week, Volicer sliced, folded and glued used newspapers and magazines. Pearson collected the printed materials from McDaniel faculty and students. However, Volicer also incorporated paper from past installations erected in Nebraska and Massachusetts to extend her materials’ lifespan. “This Land is Your Land[fill] is about the overabundance of paper,” she explained. “Paper is everywhere. We’re overwhelmed with consumption and waste. We’re turning the earth into a landfill.” IF YOU GO jnovak@baltimoreexaminer.com
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