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Spun, 2005
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From the catalog: Nadya
Volicer creates site-specific installations in public spaces by inserting
complex structures formed of found wood scraps directly into existing
architectural conditions. In this way she both deconstructs and re-imagines
the places, functions, and perceptual experiences dictated by architects
whose work is in turn circumscribed by the exigencies of building
for public accommodation. Here at DeCordova
Museum, Volicer has transformed
a hallway gallery into a whirling vortex. She makes the static monochrome
planes of the wall/ceiling/floor fluid and colorful, pulsing with life,
as a wooden wave of architectural debris crashes over and around viewers
who literally walk through the installation. Also, given the gradual
transition of the installation from two to three dimensions, its flat
areas of color, and its jigsaw composition, Home Spun deftly combines
the traditionally disassociated media of painting, sculpture, collage,
and architecture. I collect
scraps of wood left over from our surroundings, my eyes always scanning
city and suburban trash piles, renovation dumpsters,
and the
basements of friends and neighbors. My favorite finds are large
caches of old painted planks in outdated blues or greens or pinks.
Some of
the pieces in this installation have appeared in as many as seven
previous installations. Others are just now making their debut. These
castoffs
of our surroundings here surround us. |
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